Need a professional PAL camera crew? Atlantic Television provides the best PAL camera crews in North America, including PAL SD camera crews and PAL HD camera crews. With Atlantic TV, you get top-quality camera rental services, multilingual camera crews, state-of-the-art PAL, Digibeta PAL, and HD broadcast equipment including HDCAM, DVCPRO HD, P2, XDCAM HD/EX.
Atlantic TV is highly experienced when it comes to supporting local and international broadcasters, production companies, and corporations shooting in the United States. And, of course, Atlantic Television is also a go-to resource for NTSC camera crews, with TV crews in every state — video crews with incredible CV’s (resumes) — and outstanding television, film, and video equipment and productions services as well, with cameras in all major formats.
From ENG news crews and simple production packages to EFP field crews to prime-time broadcast productions, corporate shoots, multimedia projects, multicamera live production, multi-camera events, theatrical documentary, factuals, vox pops, one-man-bands, single camera units, teleprompter operators, Steadicam cameramen, directors of photography (DOP, DPs) — you name it, Atlantic can provide it. Top-quality video production equipment, shooters, and crews for a wide array of genres; camera operators, audio techs, sound recordists, camera/sound teams, producers, and video-production personnel in any position you need. Great PAL and NTSC crew members, gear, freelancers, and more.
Contact Atlantic TV for more details at https://atlantictv.com/contact/.
NTSC SD, NTSC HD, PAL SD, and PAL HD Production Services and Crews – Video, Audio, and Lighting – Equipment Rental, Production Coordinators, and Resources.
And just for fun, here’s some more info about PAL:
PAL, short for Phase Alternating Line, is an analogue television encoding system used in broadcast television systems in large parts of the world. Other common analogue television systems are SECAM and NTSC.
NTSC receivers have a tint control to perform colour correction manually. If this is not adjusted correctly, the colours may be faulty. The PAL standard automatically removes hue errors by utilising phase alternation of the colour signal (see technical details), so a tint control is unnecessary. Chrominance phase errors in the PAL system are cancelled out using a 1H delay line resulting in lower saturation, which is much less noticeable to the eye than NTSC hue errors.
SECAM is an earlier attempt at compatible colour television which also tries to resolve the NTSC hue problem. It does so by applying a different method to colour transmission, namely alternate transmission of the U and V vectors and frequency modulation, while PAL attempts to improve on the NTSC method.
An interesting comparison can be made with the VGA signal, the most notable differences being the double horizontal sweep time and interlace mode.
Over 120 countries and territories use or once used the terrestrial PAL system. Many of these are currently converting terrestrial PAL to DVB-T (PAL still often used by cable TV or in conjunction with a digital standard, such as DVB-C).
The UK’s adoption of 582 active lines has no significant impact on either non system I receivers or non system I source material as the extra lines are not within the normal display area and don’t contain anything in the other standards anyway. All Digital TV broadcasts and digital recordings (e.g. DVDs) conform to the 576 active line standard.
The majority of countries using PAL have television standards with 625 lines and 25 frames per second, differences concern the audio carrier frequency and channel bandwidths. Standards B/G are used in most of Western Europe, standard I in the UK, Ireland, Hong Kong and Macau, standards D/K in most of Central and Eastern Europe and Standard D in mainland China. Most analogue CCTV cameras are Standard D.
7-MHz channels are used in VHF (B, D) and 8-MHz channels in UHF (G, K, I), although Australia used 7-MHz channels in UHF and Ireland uses 8-MHz channels in VHF.
In Brazil, PAL is used in conjunction with the 525 line, 29.97 frame/s system M, using (very nearly) the NTSC colour subcarrier frequency. Exact colour subcarrier frequency of PAL-M is 3.575611 MHz.
In Paraguay and Uruguay, PAL is used with the standard 625 line/50 fields per second system, but again with (very nearly) the NTSC subcarrier frequency.
In Argentina, the PAL-Nc (combination N) variant is used. It employs the 625 line/50 field per second waveform of PAL-B/G, D/K, H, I, but with a chrominance subcarrier frequency of 3.582 MHz. VHS tapes recorded from a PAL-Nc or a PAL-B/G, D/K, H, I broadcast are indistinguishable because the downconverted subcarrier on the tape is the same.
— Source of PAL article excerpts: Wikipedia: PAL television encoding.
- “Why NTSC and PAL Still Matter With HDTV”
- A guide to converting PAL to NTSC: re-encoding, resolution, and framerate
- Television Standards – formats and techniques (a detailed analysis of PAL, NTSC, SECAM, film, telecine, progressive vs. interlaced, 1080i vs. 1080p, etc.)
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